On
September 27, 2011, when an innocuous neutrino started its short journey from
the Large Hadron Collider in CERN on the Franco-Swiss border, the world rested
comfortably on the shoulders of a certain Albert Einstein. The Universe
tottered on the verge of becoming completely explicable, string theorists were
retreating into the shadows whence they had come, and particle physicists did
what they always have done: relax and wait for more results to prove them more
right.
That
neutrino proved them wrong. Even though all it did was beat a ray of light by
60 nanoseconds, it had managed to defy a lifetime’s work in physics by a
physicist everyone considered the greatest of all time. By travelling faster
than light, it had utterly disproved the monumental theory of relativity.
Suddenly, things began to turn around: the Universe was suddenly shrouded in
mystery, the space-time continuum was being re-examined, particle physicists
began to doubt their education… and the string theorist was suddenly in the
limelight.
What
does this have to do with a book on Victorian sociology? Almost everything.
Rewind back to 1884, when the schoolmaster of the small Philological School in
Marylebone, Edwin Abbott Abbott, published a novella called Flatland: A Romance of Many Dimensions.
The book was about a fictitious world inhabited by two-dimensional people,
rather two-dimensional shapes that represented people: women were straight
lines and men were polygons. It was a satire that mocked the Victorian way of
life. Women were line-segments and therefore essentially one-dimensional, as
was reflected by the limited roles they were allowed to play in the society.
Men, on the other hand, had many sides to them, and therefore dominated the
two-dimensional world.
When,
one day, a nameless sphere decides to pay a visit to the narrator, a humble
square, it is unable to convince him of the existence of the third dimension.
However, after the square is chosen as an apostle to taken to Spaceland, the
three-dimensional world, he is convinced that solids exist. Upon his return,
again, he is condemned in Flatland as a madman and nobody is inclined to take
him seriously.
The book
is a powerful allegory in that it describes with an oft-sardonic mathematical
simplicity the plight of those who perpetuate prejudices and yet suffer from
the prejudice of others. The plot itself is linear, unassuming and provides the
reader with no distractions but only the thrill of a Kafkaesque fantasy. The
nameless sphere and his divine visitations, the humble square and his naïve
suppositions, even the monarch of Pointland and his solipsistic musings – all
touch close to the everyman’s experiences.
In fact,
were Flatland to be mired in reality
at the outset by the author himself, the book would long have lost its
charmingly experimental texture, condemned to spend its life like its narrator
did. No; in being the only known work of mathematical fiction, the book has
managed to survive more than a century of tireless scrutiny by portraying itself
as an examination of dimensions and nothing more.
While
Abbott himself could not have imagined its scope when he wrote it, the morals
of Flatland were soon found to be
applicable in a variety of settings, including those of the string theorist.
Imagine his plight as he attempted desperately to convince his colleagues of
the existence of 10, 18, even 23 dimensions, but failed miserably each time.
Imagine, then, his exclamation when a certain sphere paid the particle
physicists a visit.
It is
not known whether Abbott was writing as a historian or as a misogynist: both
roles become evident in the literature as the realm’s women, being lines, have
to survive many ignominies, some metaphorical, some plainly derisive, to
coexist with the freer men. However, such analyses can today safely be
sidelined: Abbott’s views on feminism are hardly considered as such, whereas
his prophetic insight into the role of time as a fourth dimension was
considered by Einstein himself to be an inspiration. And to think the book that
spelled the rise of the particle physicist also has come to spell the rise of
the string theorist!
- Mukundh Vasu
- Mukundh Vasu
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